Alexander was a smooth and plaintive vocalist who married country and soul in a way which many admirers find unique. What is without question is that he produced music both enduring and extremely influential. Included ahead of far more popular and well known singers, both for his influence on those who followed and for his marriage of soul, country and pop stylings.
Probably the best known bluesman in the world and still active right up until shortly before his death in 2015! He’s had hits in every decade since he started recording over 50 years ago and in his time he’s recorded in a variety of styles and collaborated with many other artists, choosing collaborations with performers as musically diverse as Diane Schuur and U2.
Everyone has their favourite artists and Bland is mine, at least in the R&B idiom. Bobby straddled the charts over many years and recorded in a variety of styles, but without widespread commercial pop success. Always a blues ballad stylist without peer, he had little difficulty in adapting to create the soul/blues hybrid represented by his albums from the 70s onwards.
One of the great guitar players but often underrated and sometimes criminally ignored, ‘Gatemouth’ was originally influenced by jazz players, which lead to a fluidity of style seldom found in other blues players. He is also a renowned multi-instrumentalist and plays harmonica, banjo, drums and, particularly, the fiddle. His music reflects an eclectic upbringing, where he was exposed to country, cajun and jazz as well as the blues.
The Clovers have a special place in the history of R&B as the first genuinely successful vocal group on the Atlantic label. They actually started out in Washington in 1946, built a career recording smooth ballads and bluesy jumps, and in the process became one of the most popular vocal groups of the 50s. They certainly weren’t a doo-wop group, although they were often categorised within that genre – if anything they were a typical R&B band with the vocalists taking many of the traditional instrumental parts.
Repeatedly touted as the funniest group in rock and R&B, this ‘accolade’ can often detract from the quality of the group’s vocal and musical arrangements to be found on the Leiber and Stoller masterminded Atlantic sides of the 1950s. The original forerunners of the group were the LA based A Sharp Trio, soon renamed the Four Bluebirds. It was as the Robins however that this group scored a number of hits on the R&B charts between 1949 and 1954.
Included here as representatives of the history of the vocal group within R&B, the Drifters have been around in one form or another for more than fifty years and counting – stalwarts of the early gospel and then R&B scene, purveyors of classic uptown soul in the 60s, undervalued but still worthwhile pop-soul in the 70s and over 50 hits throughout their history.
Eric’s music is a particular favourite of The Primer (and particularly of Mrs. No Name), a rich largely acoustic blues with elements of folk, country, soul, gospel and jazz. Son of the folk singer Leon Bibb, Eric grew up in the world of Pete Seeger and Bob Dylan and these influences have never left him. Eric has himself stated that whilst his roots are definitely in black American music he has also been influenced by anything from Ravel through to singer songwriters such as Joni Mitchell – quite a heady mixture.
Who better to represent the classic sound of New Orleans R&B. His relaxed approach to music, along with his boogie-woogie piano style and easy going, warm vocals delivered a long series of national hits from the mid-’50s to the early ’60s. His basic approach rarely changed – but we don’t really care, because the approach he cultivated was based on pure musical charm.
A link between boogie woogie, blues balladry, country and early rock and roll. Amos Milburn was a contender for entry, but Hunter stole it through his more varied output. Although Ray Charles gets justified credit for the merging of R&B with the sounds of C&W, Ivory Joe had been sneaking elements of country into his ballads and jump blues as far back as the 1940s.
One of the ‘younger generation’ of players (although in Blues, the younger generation are often well into their 40s, 50s and beyond) Walker was born in San Francisco, California. His eclectic musical interests have taken a long time to develop into a cogent musical personality of their own – at one point, he even quit the blues and formed a gospel quartet.
Many would argue that he was the link between the old and new, between blues and the early days of rock & roll and many more might argue he wasn’t really a blues artist at all. Whatever your stance, ‘Big’ Joe Turner (born Joseph Vernon Turner) had a long and varied career and is one of the Primer’s favourite artists. He teamed up with Pete Johnson, the boogie woogie pianist, early on in his career and their professional relationship lasted around 40 years.